PhD candidate at UNSW
How can game music respond to players while keeping the composer in control?
At UNSW, I study how composer-defined constraints can guide AI-driven musical change while preserving the intended style and structure. I also build audio tools that let people inspect, edit and hear what a system is doing.
An interactive sound sketch
Doctoral research · Ongoing
Study how AI can adapt game music while following the composer’s intentions.
I built an offline prototype that checks AI proposals against composer-defined rules and generates approved instrument parts. Real-time gameplay adaptation is the longer-term goal.
Interactive audio · Research prototype
Build and edit synthesizer sounds and effects through language prompts.
I built a browser prototype with editable signal graphs, audio playback and validation of proposed changes.
Audio software · Public source
Collect a character’s voice clips for RVC experiments without searching every recording by hand.
I built a Python batch tool that matches speech to reference voices and exports clips with source timestamps.